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If not, I'll have a freezer full of film and paper.
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Maybe not colour negative film, and probably not the huge range of B&W film I can get now (at least 25 or 30 different films from 10 or 12 manufacturers right now as a rough estimate), but a few films at least. One day they will have to pull my FM2n from my cold dead fingers, and I don't think I'm being too optimistic when I say that I expect to still be able to buy 35mm film right up to when that happens. Sony lenses are definitely more expensive, but in that arena, mirrorless, nikons are as expensive or more so. On the secondhand market there is a brisk trade in quality equipment, and I've missed out on a couple of auctions recently for enlargers, where there seems to be no shortage of buyers. In addition, canon has cheaper options in certain niches (for example, they have a 400 f5.6, and 24-70 and 70-200 f4 w/o stabilization where Nikon doesn’t have these options). That would make sense given Nikon's recent announcement.
#WHY IS NIKON F6 SO EXPENSIVE MANUAL#
For example, the Zeiss Ikon rangefinder (also built by Cosina) came out recently, and from teaser advertising on the Zeiss website, it looks like they are about to announce a range of manual lenses with a Nikon fitting. New 35mm cameras are being launched, just not by the big manufacturers. The FE10 is made by Cosina, so there is no risk to Nikon by continuing it, and as far as the F6 goes, that's fine but I don't expect to see an F7.įilm isn't going to disappear, but it will become a niche market.
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The two models that are being continued are at the top and bottom of their 35mm range, the F6 and the FE10, which presumably means that they see professionals and students as the only remaining market, with serious amateurs buying digital.